Mikaella Socratous

Work    Art Direction     About

         Selected Works

    Medieval Divas,  Solo Presentation
    Eaxo Stavros, 2025                                                                                                            
    Psychic Conman,  Solo Show
    Memeraki Artist Residency, 2025

    BIP: Imaginarium Park,  Group Show
    Curated by Fabian Neisius 
    & Orestis Telemachou
    Okay Space, 2025
                  
    Radical Rest,  Group Show
    Curated by Stavros Captain 
    & Vasiliki Kaga
    Okay Space, 2025

    Project Fuego,  Group Show
    Organised by Antifazone Cy & Afoa Cy
    El Taller Space, 2024

    Scratch Crackle & Pop,  Group Show
    Organised by Animafest 
    & Steven Woloshen
    Animafest, 2024

    Sweet Liminal Space,  Group Show
Organised and curated
by Mikaella Socratous
& Orestis Telemachou
Off-site Strovolos, 2023

    Pleasure Hunt,  Solo Show
    Featuring works by Stelios Georgiou
    Curated by Emily Petridou
    Off-site Acropolis Caves, 2022

    The Room,  Solo Show
    Off-site Strovolos, 2016
     
    Aesthetic Purgatory, 2024
    Video Work

                                                                                                 
Sweet Liminal Space
(2023)


Collective Exhibition / September 2023

Featured in KUBAPARIS: ☆ https://kubaparis.com/submission/376164

Strovolos, Nicosia, Cyprus

Curated by:  
Orestis Telemachou and Mikaella Socratous
Curatorial Text:  
Mikaella Socratous

Documentation:
Ioanna Economidou

Poster by: 
10o10o


Exhibiting Artists:

Eleni Ioannidou @10o10o
Khaled Khalifa @thesuburbanpharaoh
Joachim Lubet @tekla.potatoe
Ioanna Economidou @ioannaeconomidou
Stelios Hansen Nicolaou
Ody Vlamis @odyvlamis
Orestis Telemachou @tileores
Mikaella Socratous @studio.squirmy

‘In a sweet liminal space connecting memory and sarcasm, there is a childish dreamscape arising from distorted understanding. Inaccuracy, displaced relatability, escapism, and innocence jump out ready for a stunt. An induced hysteria of being in control, loses in a rock-paper-scissors battle with the allegorical imagination. Fictionalising never felt as good as during prepubescence.

This show aims to highlight the romantic structuring of thoughts, the amalgamation of inanimate objects brought to be utilized. A neuronal web finds itself in a junction, walls are melting into places and those places are becoming extinct.’


Mikaella Socratous